Hamhŭng’s two orphans (to Konrad Püschel) : East german Internationalism in North-Korea emerging through a chronopolitical lens
Mende, Doreen; Baers, Michael
2019
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Résumé

Doreen Mende’s work Hamhung’s two orphans, which borrows its title from a chapter of the cine-essay Coréennes (1959) by Chris Marker, proposes to trace the transformation of the Bauhaus’s relevance from its prewar internationalist modernity into elements of the GDR’s socialist internationalism when architecture operated as a state-crafting instrument during the global Cold War.

Détails

Titre Hamhŭng’s two orphans (to Konrad Püschel) : East german Internationalism in North-Korea emerging through a chronopolitical lens
Auteur(s)/ trice(s) Mende, Doreen (HEAD - Genève, Haute école d'art et de design, HES-SO Haute école spécialisée de Suisse occidentale)
Baers, Michael
Date 2019-01
Publié dans Bauhaus imaginista journal
Volume 2019, no 3
Pagination 8 p.
Mots-clés (libres) Bauhaus ; architecture ; cold war ; geopolitics ; photography ; archives ; urban studies ; practice-based research ; internationalism ; knowledge ; displays ; North Korea ; exhibitions ; GDR ; global cold war ; curatorial politics ; archival metabolism
Type d'article scientifique
Domaine Design et Arts visuels
Ecole HEAD - Genève
Institut HEAD Institut de recherche en art et en design - IRAD
Le document apparaît dans Articles scientifiques
Global

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