Hamhŭng’s Two Orphans (To Konrad Püschel) : East german Internationalism in North-Korea emerging through a chronopolitical lens

Mende, Doreen (HEAD - Genève, Haute école d'art et de design, HES-SO // Haute école spécialisée de Suisse occidentale) ; Baers, Michael

Doreen Mende’s work Hamhung’s Two Orphans, which borrows its title from a chapter of the cine-essay Coréennes (1959) by Chris Marker, proposes to trace the transformation of the Bauhaus’s relevance from its prewar internationalist modernity into elements of the GDR’s socialist internationalism when architecture operated as a state-crafting instrument during the global Cold War.


Keywords:
Article Type:
scientifique
Faculty:
Design et Arts visuels
School:
HEAD - Genève
Institute:
HEAD Institut de recherche en art et en design - IRAD
Date:
2019-01
Pagination:
8 p.
Published in:
Bauhaus imaginista journal
Numeration (vol. no.):
2019, 3
Appears in Collection:

Note: The status of this file is: restricted


 Record created 2021-05-05, last modified 2021-06-23

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